Critics are told to examine the explanations before pulling the trigger on Vincent Leong’s art.

A local curator has defended the works of Leong, which have ignited controversy due to the portrayal of royalties and national leaders from a rear point of view.

The curator, who declined to be named, said critics should examine the explanations provided on the artwork before jumping to conclusions.

On the same note, it was pointed out that as an artist, Leong is free to make social criticisms via his work.

"Leong provided feedback on contemporary art and current issues, it depends on the people (whether to accept or reject).

"Malaysians cannot (consider all art) to be affecting the system, for all artists have their own arguments," the curator told Malaysiakini.
  
The curator also explained that the images in the likeness of the Yang-di Pertuan Agong and his consort from the rear angle were photographic prints using models.

Also showcased in the "Kenapamu Malaysia" collection in Singapore was the purported image of Prime Minister Najib Abdul Razak from the rear.

Leong's artwork has drawn condemnation from various quarters, such as PAS Youth, Perkasa and Ikatan Muslimin Malaysia (Isma), which consider the images as an insult.

'Who defended Singapore against Japanese?'

In an article on Leong's works, Ismaweb's chief editor rained criticism on the Chinese, whom he referred to as "puak-puak (tribes)" for their "fondness" in disparaging the Malays.

Turning the clock back to the Japanese occupation, the unnamed chief editor questioned: "Don't these puak-puak (tribes) realise? Seen from an historical point of view, who defended Singapore the most from the Japanese attack?"

"Where were these tribes at the time? On the run? Hiding? There were even those who sought the protection of Malays due to fear of the Japanese sword."

However, the editor said, now that they have grown in numbers and possess a strong economic presence, these people are "showing their true colours".

"These tribes are challenging the Malays. But not to a fight because they know they will lose.

"They insult and trample on Malay pride and dignity in a subtle manner."

The editor also expressed puzzlement as to why these "chauvinist tribes" delighted in disturbing Malay harmony, when the latter have not provoked them.

"Don't they know that the Malays themselves admit, accept and confirm them as citizens of Malaysia?

"If (Malaysia) is under attack, don't they know that Malay-Muslims are obliged to protect them?" he added.

Meanwhile, Leong, who hails from Kuala Lumpur, has remained tightlipped on the issue.

The University of London graduate's works have been, among others, exhibited at the prestigious Guggenheim Art Museum in New York.